Adams, R. 2005. ‘Melbourne: Back from the Edge’. In City Edge: Case Studies in Contemporary Urbanism, ed. E. Charlesworth, 50–65. Oxford: Elsevier.
—2008. ‘From Industrial Cities to Eco-urbanity: The Melbourne Case Study’. Planning News 34/1: 6–11.
Arts Victoria. 2011. The Economic, Social and Cultural Contribution of Venue-based Live Music in Victoria. Online: http://www.musicvictoria.com.au/assets/Documents/DAE_Live_music_report_2011.pdf (accessed 26 August 2016).
Bennett, A., and R. Peterson. 2004. Music Scenes: Local, Translocal and Virtual. Nashville: Vanderbilt University Press.
Brown, A., J. Connor and S. Cohen. 2000. ‘Local Music Policies within a Global Music Industry: Cultural Quarters in Manchester and Sheffield’. Geoforum 31/4: 437–51. https://doi.org/10.1016/S0016-7185(00)00007-5
Cameron, S., and J. Coaffee. 2005. ‘Art, Gentrification and Regeneration: From Artist as Pioneer to Public Arts’. European Journal of Housing Policy 5/1: 39–58. https://doi.org/10.1080/14616710500055687
Carter, J. 2016. ‘Unintended Consequences: The Story of Australia’s Live Music Industry and Government Regulation’. Radio National, 16 August. Online: https://tinyurl.com/abc-7735922 (accessed 23 August 2016).
Cohen, S. 2015. ‘City Scapes’. In The Routledge Reader on the Sociology of Music, ed. J. Shepherd and K. Devine, 231–44. New York: Routledge.
Creative Victoria. 2016. Music Works—Good Music Neighbours. Online: https://tinyurl.com/funding-2017 (accessed 18 January 2017).
Crook, A. 2010. ‘New Tote Proprietor to Press Brumby on Liquor Changes’. Crikey, 12 April. Online: https://www.crikey.com.au/2010/04/12/new-tote-owner-to-press-brumby-on-liquor-changes/ (accessed 19 January 2017).
Donovan, S. 2010. ‘Brumby Backs Down on Live Music Laws’. The Age, 23 February. Online: http://www.abc.net.au/news/2010-02-23/brumby-backs-down-on-live-music-laws/339826 (accessed 23 August 2016).
Dungen, N. (dir.) 2012. Persecution Blues: The Battle for the Tote. Melbourne: Informit. Online: http://edutv.informit.com.au.ezproxy.lib.monash.edu.au/watch-screen.php?videoID=216789 (accessed 23 August 2016).
Florida, R. 2002. The Rise of the Creative Class: and How It’s Transforming Work, Leisure, Community and Everyday Life. New York: Basic Books.
Gibson, C., and S. Homan. 2004. ‘Urban Redevelopment, Live Music and Public Space: Cultural Performance and the Re‐making of Marrickville’. International Journal of Cultural Policy 10/1: 67–84. https://doi.org/10.1080/1028663042000212337
Google Maps. 2017. Location of the Tote Hotel in Relation to Melbourne’s City Centre. Online: https://tinyurl.com/tote-799486 (accessed 8 February 2017).
Holt, F., and C. Wergin. 2013. ‘Introduction: Musical Performance and the Changing City’. In Musical Performance and the Changing City: Post-Industrial Contexts in Europe and the United States, ed. F. Holt and C. Wergin, 1–24. New York: Routledge. https://doi.org/10.1002/9781118617380.ch0
Homan, S. 2010. ‘Governmental as Anything: Live Music and Law and Order in Melbourne’. Perfect Beat 11/2: 103–118.
—2013. ‘From Coombs to Crean: Popular Music and Cultural Policy in Australia’. International Journal of Cultural Policy 19/3: 382–98. https://doi.org/10.1080/10286632.2013.788164
—2016. ‘SLAM: The Music City and Cultural Activism’. Law, Social Justice and Global Development 1/1: 1–12.
—(forthcoming). ‘The Music City: Australian Contexts’. In Made in Australia and New Zealand: Studies in Australasian Popular Music, ed. G. Stahl and S. Brunt. London: Routledge.
IFPI, and Music Canada. 2015. The Mastering of the Music City: Key Elements, Effective Strategies and Why It’s Worth Pursuing. Online: http://www.ifpi.org/downloads/The-Mastering-of-a-Music-City.pdf (accessed 7 June 2016).
Kelly, J., and P. Donegan. 2015. City Limits: Why Australian Cities are Broken and How We Can Fix Them. Melbourne: Melbourne University Press.
Ley, D. 1996. The New Middle Class and the Remaking of the Central City. Oxford: Oxford University Press.
—2003. ‘Artists, Aestheticisation and the Field of Gentrification’. Urban Studies 40/12: 2527–544. https://doi.org/10.1080/0042098032000136192
Leyshon, A., P. Webb, S. French, N. Thrift and L. Crewe. 2005. ‘On the Reproduction of the Musical Economy after the Internet’. Media, Culture & Society 27/2: 177–209. https://doi.org/10.1177/0163443705050468
Mommaas, H. 2009. ‘Spaces of Cultural Economy: Mapping the Cultural-Creative Cluster Landscape’. In Creative Economies, Creative Cities: Asian-European Perspectives (Vol. 98), ed. L. Kong and J. O’Connor, 45–59. Netherlands: Springer. https://doi.org/10.1007/978-1-4020-9949-6_4
Murfett, A. 2010. ‘Time Called on the Tote’. The Age, 15 January. Online: http://www.theage.com.au/news/entertainment/music/time-called-on-the-tote/2010/01/14/1263058330040.html (accessed 23 August 2016).
Music Victoria. 2012. Melbourne Music City: A Guide to the Music Capital of Australia, Melbourne.
O’Connor, J. 2010. The Cultural and Creative Industries: A Literature Review, 2nd edn. London: Culture and Education Series, Creativity, Culture and Education.
O’Connor, J., and X. Gu. 2014. ‘Creative Industry Clusters in Shanghai: A Success Story?’ International Journal of Cultural Policy 20/1: 1–20. https://doi.org/10.1080/10286632.2012.740025
O’Connor, J., and K. Shaw. 2014. ‘What Next for the Creative City?’ City, Culture and Society 5/3: 165–70.
Perring, J. 2016. Interview with the author, 12 July, conducted at Bar Open, Melbourne, Australia.
Pratt, A. 2005. ‘Cultural Industries and Public Policy: An Oxymoron?’ International Journal of Cultural Policy 11/1: 31–44. https://doi.org/10.1080/10286630500067739
—2008. ‘Creative Cities: The Cultural Industries and the Creative Class’. Geografiska annaler: Series B, Human Geography 90/2: 107–117. https://doi.org/10.1111/j.1468-0467.2008.00281.x
Pratt, A., and T. Hutton. 2013. ‘Reconceptualising the Relationship between the Creative Economy and the City: Learning from the Financial Crisis’. Cities 33/1: 86–95. https://doi.org/10.1016/j.cities.2012.05.008
Scott, A. 1999. ‘The US Recorded Music Industry: On the Relations between Organization, Location; and Creativity, in the Cultural Economy’. Environment and Planning A 31/11: 1965–1984. https://doi.org/10.1068/a311965
—2004. ‘Cultural-Products Industries and Urban Economic Development: Prospects for Growth and Market Contestation in Global Context’. Urban Affairs Review 39/4: 461–90. https://doi.org/10.1177/1078087403261256
Shaw, K. 2005. ‘The Place of Alternative Culture and the Politics of its Protection in Berlin, Amsterdam and Melbourne’. Planning Theory & Practice 6/2: 149–69. https://doi.org/10.1080/14649350500136830
—2009. ‘The Melbourne Indie Music Scene and the Inner City Blues’. In Whose Urban Renaissance?: An International Comparison of Urban Regeneration Strategies, ed. L. Porter and K. Shaw, 366–85. London: Routledge.
SLAM. 2012. About SLAM. Online: http://slamrally.org/about-us (accessed 23 August 2016).
Stahl, G. 2004. ‘“It’s like Canada reduced”: Setting the Scene in Montreal’. In After Subculture: Critical Studies in Contemporary Youth Culture, ed. A. Bennett and K. Kahn-Harris, 51–64. New York: Palgrave Macmillan. https://doi.org/10.1007/978-0-230-21467-5_4
Stanley, R. 2016. Interview with the author, 17 July, conducted at the Tote Hotel, Melbourne, Australia.
Straw, W. 2004. ‘Cultural Scenes’. Loisir et société/Society and Leisure 27/2: 411–22. https://doi.org/10.1080/07053436.2004.10707657
Tote Hotel. 2016. ‘The Tote: About’. Online: http://thetotehotel.com/about/ (accessed 26 July 2016).
VCGLR (Victorian Commission for Gambling and Liquor Regulation). 2013. Liquor Licensing Information Sheet: Licensing Conditions for Live Music Venues. Online: https://tinyurl.com/vcglr-8e57947a-PDF (accessed 20 June 2016).
2015. Liquor Legislation and Regulations. Online: http://www.vcglr.vic.gov.au/home/laws+and+regulations/legislation+and+regulations/liquor+legislation/ (accessed 16 August 2016).
Victorian Drugs and Crime Prevention Committee. 2010. Inquiry into Strategies to Reduce Assaults in Public Places in Victoria. Online: https://tinyurl.com/images-dcpc-PDF (accessed 15 August 2016).
Victorian Government. 2014. Plan Melbourne. Online: http://www.planmelbourne.vic.gov.au/the-plan (accessed 13 August 2016).
—2016. Live Music and Entertainment Noise. Online: https://tinyurl.com/0024-13479-PDF (accessed 18 January 2017).
Victorian Government, FairGo4LiveMusic, Save Live Australian Music and Music Victoria. 2010a. Live Music Accord 2010. Online: https://tinyurl.com/vcglr-livemusic-PDF (accessed 20 June 2016).
—2010b. Agreement Regarding Live Music Venues. Online: https://tinyurl.com/vcglr-resources-PDF (accessed 20 June 2016).
Watters, S. 2015. ‘The Need for Independence’. Australian Independent Record Label Association. Online: https://www.air.org.au/news/story/the-need-for-independence (accessed 15 October 2015).
Zajdow, G. 2013. ‘I Vote and I Tote: Moral Panics, Resistance, and the Failure of Quiet Regulation’. In The Ashgate Research Companion to Moral Panics, ed. C. Krinsky, 335–48. Surrey: Ashgate.
Zukin, S. 1982. Loft Living: Culture and Capital in Urban Change. Maryland: Johns Hopkins University Press.