| Section |
Title |
Author |
Published |
| Introduction
|
|
Editorial introduction |
Shelley Brunt, Oli Wilson |
Jul 3, 2020 |
| Articles
|
|
Experiences and perceptions of gender in the Australian music industry |
Hannah Mary Fairlamb, Bianca Fileborn |
Jul 3, 2020 |
|
Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand |
Matthew Bannister |
Jul 3, 2020 |
|
‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard |
Paul Ballam-Cross |
Jul 3, 2020 |
| Riffs
|
|
Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) |
Alison Blair |
Jul 3, 2020 |
| Reviews
|
|
Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. |
Anna Szemere |
Jul 3, 2020 |
|
Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. |
Brent Keogh |
Jul 3, 2020 |
|
Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s. |
Natalie Rhook |
Jul 3, 2020 |