| Section |
Title |
Author |
Published |
| Editorial
|
|
Visual Archaeologies: Editorial Introduction |
Alfredo González-Ruibal |
Nov 24, 2020 |
| Visual Archaeologies
|
|
By Drawing We Unframe Scotland’s Community Heritage Conference |
Alex Hale |
Nov 24, 2020 |
|
The Weight of History: Visual Narratives for an Autobiographic Archaeology |
Maria Theresia Starzmann, Leila Papoli-Yazdi |
Nov 24, 2020 |
|
Archaeo-Becoming, Zarankin-Centrism and Contaminated Presents |
Andrés Zarankin, Iván Zigarán |
Nov 24, 2020 |
|
After the Tourists Depart: Visual Postmortem of a New Tourist Destination |
Sreedeep Bhattacharya |
Nov 24, 2020 |
|
Phantom Brickworks: Antimetaphors of the Property Crisis in Spain |
Pablo Arboleda |
Nov 1, 2019 |
|
“To Thee Do We Send Up Our Sighs”: Documenting Twentieth-Century Marian Shrines in the Republic of Ireland |
Eve Campbell |
Nov 24, 2020 |
|
(Uns)table assemblage |
Nyree Finlay |
Nov 24, 2020 |
| Video supplement
|
|
Video supplement to Illustrating Scotland’s Community Heritage Conference by Alex G.C. Hale |
Alex G.C. Hale |
Nov 24, 2020 |
| Articles
|
|
From a Laboratory of Power to a Laboratory of Violence: The Panoptic Layout of the Nazi Concentration Camp at Sachsenhausen and the Diverging Intentions of Disciplinary and Absolute Power |
Lea Rees |
Nov 24, 2020 |